Zdenka Badovinac

Zdenka  Badovinac
participated in seminars historicisation, subjectivisation, geopolitics, constituencies, commons, other-institutionality, geopolitics II, commons / solidarity
terms and associative terms self-historicisation, over-identification, institutional geopolitical strategies, biotope, brotherhood & unity, the sustainable museum, INTRO: Repetition
affiliated institution MG+MSUM

bio | Zdenka Badovinac is a curator and writer, who has served since 1993 as Director of the Moderna galerija in Ljubljana, comprised since 2011 of two locations: the Museum of Modern Art and the Museum of Contemporary Art Metelkova. Badovinac has curated numerous exhibitions presenting both Slovenian and international artists, and initiated the first collection of Eastern European art, Moderna galerija’s 2000+ Arteast Collection. She has been systematically dealing with the processes of redefining history and with the questions of different avant-garde traditions of contemporary art, first with the exhibition Body and the East – From the 1960s to the Present, staged in 1998 at Moderna galerija, Ljubljana, and travelling to Exit Art, New York in 2001. She continued in 2000 with the first public display of the 2000+ Arteast Collection: 2000+ Arteast Collection: The Art of Eastern Europe in Dialogue with the West at Moderna galerija, (2000); and then with a series of Arteast Exhibitions, mostly at Moderna galerija: Form-Specific (2003); 7 Sins: Ljubljana-Moscow (2004; co-curated with Victor Misiano and Igor Zabel); Interrupted Histories (2006); Arteast Collection 2000+23 (2006); The Schengen Women (2008), Galerija Škuc, Ljubljana, part of the Hosting Moderna galerija! project, Old Masters (2008), Zavod P.A.R.A.S.I.T.E., Center in galerijaP74, Ljubljana, part of the Hosting Moderna galerija! Project; Museum of Parallel Narratives/ In the Framework of L’Internationale, MACBA, Barcelona,2011; 1:1Stopover installation at the Museum of Contemporary Art produced by the Maska Institute. (2013); NSK from Kapital to Capital. Neue Slowenische Kunst – an Event of the Final Decade of Yugoslavia at Moderna galerija (2015).


Note: The biography describes the position of the narrator at the time of their participation in the Glossary of Common Knowledge. Given the long duration of the project, the narrator may have changed their respective position.