Zdenka Badovinac, introduction to the glossary, 2014
Jesús Carrillo, introduction to the glossary, 2014
Bojana Piškur, introduction to the glossary, 2014
Duygu Demir & Merve Elveren, Gülsün Karamustafa, 2013, intuition
Meriç Öner, intuition, 2014, intuition
+MSUM, subjectivisation: map of connections, 2014
Colin Chinnery, temporally embodied sound, 2014, temporally embodied sound
Cristina Freire, archive, 2014, archive
Zdenka Badovinac, self-historicization, 2014, self-historicisation
Jesús Carrillo and Francisco Godoy Vega, temporalities, 2014, temporalities
Paul B. Preciado, heterochronia, 2014, heterochronia
Beatriz Herráez, Francisco Godoy Vega, the contemporary, 2014
Thomas Lange, constellation, 2014
Ania Szremski, pathological fracture, 2014, pathological fracture
Anej Korsika, Bojana Piškur, emancipation, 2014, emancipation
Stephen Wright, estrangement, 2014, estrangement
Dušan Grlja, tendencies in art, 2014, tendencies in art
Gabi Ngcobo, phantom (pain), 2014, phantom (pain)
Anders Kreuger, reconstruction, 2014, reconstruction
Jože Barši, Miklavž Komelj, Lidija Radojević, Tanja Velagić, How to Think Partisan Art?, 1941, emancipation
Giuseppe Campuzano, La Virgen de las Guacas, 2007, travesti
Giuseppe Campuzano, Museo Travesti del Perú, 2004, travesti
Giuseppe Campuzano, Carnet, 2011, travesti
Lynne Cooke & Douglas Crimp, Mixed Use, Manhattan , 2010, fragility
Carlos Leppe, El perchero (The Clothes Rack), Santiago de Chile, 1975, fragility
Diamela Eltit, Zona de Dolor I (Pain Zone I), 1980, fragility
IRWIN, “Was is Kunst?”, 1984–1996, self-historicisation
Max Hinderer, Alice Creischer and Andreas Siekmann, The Potosí Principle, contemporary, the
Dan Cameron, Cocido y crudo, temporalities
Oliver Ressler, Take the Square, 2012, 3-channel video installation, temporalities
A collective of domestic workers , Territorio Doméstico, 2010, temporalities
New Collectivism, Youth Day 1987, 1987, over-identification
Laibach Kunst, Organigramme, 1982, over-identification
+MSUM, geopolitics: map of connections, 2015
Group Discussion, Geopolitics - Discussion #1, 2015
Figure 57: , The omnipresence of the agitational visual voice on the streets, 2015, agitational visual language
Participants and Iconoclasistas, Belo Horizonte, 2015, south
Figure 58: Aslan Gaisumov, Volga, 2015, eurasia
Hélio Oiticica, Eden, Whitechapel Art Gallery, 1969, creleasure
Gašper Kralj, Bojana Piškur, Encounter on Radical Education, 2008, biotope
Radical Education Collective - REC, CONFERENCE, 2009, biotope
The Pinky Show , Radical Education fanzine no. 3, 2007, biotope
Zdenka Badovinac, Bojana Piškur, Ida Hiršenfelder, commons: introduction, 28 June 2016
Commons / Discussion #1, Commons, 28 June 2016
Vít Havránek, institution, 28 June 2016, intuition
Jelena Vesić, to baffle, 28 June 2016, to baffle
Zdenka Badovinac, The Brotherhood and Unity Highway, 28 June 2016, brotherhood & unity
Róza El-Hassan, basic income, 29 June 2016, basic income
Ida Hiršenfelder, theft, 29 June 2016, theft
Miglena Nikolchina, heterotopian homonymy, 29 June 2016, heterotopian homonymy
Miglena Nikolchina, Glossary as Commons: Glitches in the Network, keynote lecture, 27 June 2016, heterotopian homonymy
Carlos Prieto del Campo, constituent power of the common, 2016
Aigul Hakimova, rog, 2016, rog
Nick Aikens, friendship, 2016, friendship
Commons / Discussion #2, Commons, 2016
Bojana Piškur, self-management, 28 June 2016, self-management
Sezgin Boynik, corrected slogan, 28 June 2016, corrected slogan
pantxo ramas, palimpsest, 28 June 2016, palimpsest
Commons / Discussion #3, Commons, 29 June 2016
Rasha Salti, solidarity, 29 June 2016, solidarity
Burak Arıkan, data asymmetry, 29 June 2016, data asymmetry
Commons / Discussion #4, Commons, 29 June 2016
Anders Kreuger, noosphere, 29 June 2016, noosphere
Final group discussion, Commons, 29 June 2016
Figure 85: Museo del Barro, collection display, 2015, ñande / ore
Figure 82: Museo del Barro, Main Entrance, 2015, ñande / ore
Figure 83: Lia Colombino, Museum of Indigenous Art, 2015
Figure 84: Lia Colombino, Exhibition of the Museo del Barro, 2008, ñande / ore
Figure 86: Seminario, Espacio/Crítica, 2012, ñande / ore
Zdenka Badovinac, institutional geopolitical strategies, 17 September 2015, institutional geopolitical strategies
Marianna Hovhannisyan, event, 17 September 2015, event
Tzortzis Rallis, agitational visual language, 17 September 2015, agitational visual language
Galit Eilat, catastrophe, 17 September 2015, catastrophe
Darij Zadnikar, global resistance: the geopolitics of the contemporary social movements, 17 September 2015, global resistance
Art & Language, Blurting in Art & Language, 1974
Destructive Creation, In step with Time, 2011
Bojana Piškur, non-aligned movement, 2015, non-aligned movement
Boris Buden, alignment, 2015, alignment
Anthony Gardner, postsocialism, 2015, postsocialism
Mabel Tapia, south, 2015, south
Manray Hsu, Tudigong, God of the Land, 2015, tudigong, god of the land
Chema González, pandemic, 2015, pandemic
Group Discussion, Geopolitics - Discussion #2, 2015
Group Discussion, Geopolitics - Final discussion, 2015
Anders Kreuger, eurasia, 2015, eurasia
Zdenka Badovinac, over-identification, 2014, over-identification
Suely Rolnik, bodywise, 2014, bodywise
Rebecca Close, Anyely Marín Cisneros, decolonize, 2014, decolonise
Manos Invisibles, loser, 2014, loser
Jabulani Chen Pereira, evidence, 2014, evidence
Jesús Carrillo and Francisco Godoy Vega, fragility, 2014, fragility
Anders Kreuger, interest, 2014, interest
Lisette Lagnado, creleasure, 2014, creleasure
Nick Aikens, self-determination, 2014, self-determination
Bojana Piškur, radical imagination , 2014, radical imagination
Miguel A. López, travesti, 2014, travesti
Ekaterina Degot, unrest, 2014, unrest
Marko Jenko, The Subject, 2014, the subject
Nick Aikens reading for Rasha Salti, dancing as insurrectional practice, 2014, dancing as insurrectional practice
Group Discussion, Subjectivisation - Discussion #1, 2014
Group Discussion, Subjectivisation - Discussion #2, 2014
Group Discussion, Subjectivisation - Discussion #3, 2014
Group Discussion, Subjectivisation | Discussion #6, 2014
Cecilia Barriga / Yo Sí Sanidad Universal, Todas somos Jeanneth, July 2014, loser
Group Discussion, Subjectivisation - Discussion #4, 2014
Group Discussion, Subjectivisation - Discussion #5, 2014
Rhodes Must Fall, protest, 2015, bureaucratisation
Rhodes Must Fall, protest, 2015, bureaucratisation
Rhodes Must Fall, protest, 2015, bureaucratisation
J. Depolo, Slika, kip i prostor [Painting, Sculpture and Space], 23 October 1960, self-management
Meriç Öner, November Paynter, de-professionalisation, 2016, de-professionalisation
Lia Colombino, ñande / ore, 2016, ñande / ore
Nick Aikens, agency, 2016, agency
Ahmet Öğüt, intervenor, 2016, intervenor
Khwezi Gule, bureaucratisation, 2016, bureaucratisation
Alexei Penzin, continuity / counter-continuity, 2016, the continuity-form and counter-continuity
Zdenka Badovinac, Bojana Piškur, Adela Železnik, biotope, 2016, biotope
Raúl Sánchez Cedillo, the rest is missing, 2016, the rest is missing
John Byrne, collaboration / co-labour, 2016, collaboration / co-labour
Aida Sánchez de Serdio Martín, labour, 2016, labour
Raúl Sánchez Cedillo, The Rest is Missing, 2016, the rest is missing
glossary of common knowledge, constituencies, discussion #1, 2016
Anders Kreuger, the eternal network / la fête permanente, 2016, eternal network / la fête permanente
Marwa Arsanios, construction, 2016, construction
pantxo ramas, autonomy, 2016, autonomy
Group Discussion, Constituencies - Discussion #2, 2016
Figure 108: text by Ugo Guarino, photo by Emilio Tremolada, La verità è rivoluzionaria, 1977, 2015, palimpsest
Figure 106: text by Ugo Guarino, Non abitato, 1977, palimpsest
Figure 107: text by Ugo Guarino, La liberta e terapeutica, 1977, palimpsest
Vasıf Kortun, a risidual, 2017, a residual
Meriç Öner, translation, 2017, translation
Igor Španjol, Family, 2017, family
Patrick Flores, alternating, 2017, alternating
Sohrab Mohebbi, adab, 2017, minor universalisms
Nick Aikens, deviant, 2017, deviant
Zdenka Badovinac, the sustainable museum, 2017, the sustainable museum
Anders Kreuger, the art hypothesis, 2017, the art hypothesis
Jesús Carrillo, Conspiratory institutions?, 2017, conspiratorial institutions?
Kate Fowle, reflexive / reflexivity, 2017, reflexive/reflexivity
Francisco Godoy Vega, dark room, 2017, dark room
Bojana Piškur, sultifera navis, 2017, stultifera navis
Azra Akšamija, lobbying, 2017, lobbying
Alenka Gregorič, interdependence, 2017, interdependence
Glossary of Common Knowledge, Other-institutionality, Discussion Day 1 [Morning], 17 January 2017
Glossary of Common Knowledge, Other-institutionality, Discussion Day 1 [Noon], 17 January 2017
Glossary of Common Knowledge, Other-institutionality, Discussion Day 1 [Afternoon], 17 January 2017
Glossary of Common Knowledge, Other-institutionality, Discussion Day 2 [Morning], 18 January 2017
Glossary of Common Knowledge, Other-institutionality, Discussion Day 2 [Noon], 18 January 2017
Glossary of Common Knowledge, Other-institutionality, Introduction, 17 January 2017
Glossary of Common Knowledge, Other-institutionality, Map of Connections, 18 January 2017
Róza El-Hassan, Backlight, 2016, basic income
Róza El-Hassan, Breeze 9 (Natural Air Conditioning and Adobe Houses), 2015, basic income
Róza El-Hassan, The Gate ( with letter Syn, S), 2016, basic income
Zdenka Badovinac, Geopolitics II [Introduction], 2019
Bojana Piškur, Southern Constellation, 2019, southern constellation
[Discussion #1], Geopolitics II, 2019
[Discussion #2], Geopolitics II, 2019
[Discussion #3], Geopolitics II, 2019
[Discussion #4], Geopolitics II, 2019
[Discussion #5], Geopolitics II, 2019
Miran Mohar, Self-organisation, 2019, self-organisation
Jonas Staal, Emancipatory Propaganda, 2019, emancipatory propaganda
Sara Buraya, Ecofeminism, 2019, ecofeminism
Vladan Joler, New Extractivism, 2019, new extractivism
Ida Hiršenfelder, Earth, 2019, earth
Maria Iñigo, Epistemic Diversity, 2019, epistemic diversity
Meriç Öner, Instant, 2019, instant
Steven Ten Thije, Air Travel, 2019
Kuba Szreder, Anti-fascism, 2019, anti-fascism
Jesús Carrillo, Shipwreck, 2019, shipwrecks
Vali Mahlouji, Occidentosis, 2019, occidentosis
, Partisan Resistance Movement, 2011, self-historicisation
, The Lives of Monuments, 2017, self-historicisation
Nika Autor, Newsreel 63 – The Train of Shadows
Isidoro Valcárcel Medina, The City and the Foreigner, 1976, archive
Isidoro Valcárcel Medina, Museu de la ruïna, contemporary, the
Manuel Borja-Villel, Rosario Peiró, Beatriz Herráez,, Minimal Resistance, contemporary, the
La Red Conceptualismos del Sur, Affinities and Contagion, 2013, contemporary, the
La Red Conceptualismos del Sur, Losing the Human Form, 2012 –2013, contemporary, the
Đorđe Balmazović, Radical Education, 2014, emancipation
Đorđe Balmazović, Radical Education, 2014, emancipation
Exterior installation, 4th International Exhibition of Graphic Arts, 1961, emancipation
Installation view with the international jury, 5th International Exhibition of Graphic Arts, 1965, emancipation
Figure 25: Vjenceslav Richter, An Object as a Space Subject. Reflections on Exhibitions, 1968, tendencies in art
Figure 26, Prelom. Journal for Images and Politics, no. 8, 2005, magazine cover., 2005, tendencies in art
Figure 27: Kontakt, exhibition view, 2007, tendencies in art
Figure 28: Curated by Prelom kolektiv, Political Practices of (Post-)Yugoslav Art (PPPYuArt): RETROSPECTIVE 01, 2009/2010, tendencies in art
Figure 69, Monument at La mitad del mundo and the site where GPS measurements show “The Middle of the World” in Quito, south
Figure 56: , Live your Myth in Greece, 2008, agitational visual language
Figure 55: Aftodiacheirizomeno steki Ano-Kato Patision, I will break this world that is made of glass and I will build another – new society, 2008, agitational visual language
Figure 54: Tzortzis Rallis, Fuck May 68, Fight Now, 2008, agitational visual language
Donna Kukama, Not Yet (and No One Knows Why), 2009, phantom (pain)
“Artpool”, At Interrupted Histories exhibition, 2006, self-historicisation
Peter Cusack, Favourite Beijing Sounds, 2007, temporally embodied sound
Rasha Salti & Kristine Khouri, Past Disquiet, 2014, heterochronia
Paul De Vree, Hysteria Makes History, 1973, reconstruction
Bali Hai, Jimi Hendrix Sets Guitar on Fire at Monterey Pop Festival 1967, 1967
La Red Conceptualismos del Sur, Losing the Human Form
Andrés Senra, 20 retratos de activistas queer de la Radical gai, LSD y RQTR en el Madrid de los noventa, 2014, fragility
Robert Filliou, Principe d’ equivalence (Principle of Equivalence), 1968, interest
Anne-Mie Van Kerckhoven, Nursing Activities, Firect (Pulverizing) (detail), 1995–1998
Kidlat Tahimik, Bakit Dilaw Ang Kulay ng Bahaghari (Why is yellow at the middle of the rainbow?), 1984/1994, kapwa
Kidlat Tahimik, Memories of Overdevelopment, 1984, kapwa
Not Even Dead, Keti Chukhrov, 2014, unrest
Mauricio Gatti, En la selva hay mucho por hacer (book detail), 1977, solidarity
Mauricio Gatti, In the Jungle There Is Much to Do, 2019, solidarity
María Berríos, The Bones of the World, 7 Sep. - 9 Nov. 2019, solidarity
Boris Buden, The West: A Failed Translation, 16 September 2015 at 6 p.m., INTRO: Alignment: An Attempt at Refusal
Figure 59: , Library-Museum Building, Marsovan , 1913?, event
Figure 60: , Construction of the library-museum building, 1912, event
Figure 61: , The first page of the Catalogue of The Museum of Anatolia College, 1917–18, event
Figure 62: , Silene Manissadjiana Freyn plant named after and collected by Prof. J. J. Manissadjian, 10 September 1892, event
Figure 63: , La Via Campesina, International Peasant’s Movement logo., global resistance
Figure 64, Ljubljana (International) Biennial of Graphic Arts, exhibition view, 1955
Figure 65, Museo de la Solidaridad, permanent exhibition view, non-aligned movement
Figure 67: IRWIN, NSK Embassy Moscow plaque, 1992, postsocialism
Figure 68: Tom Nicholson, 2pm Sunday 25 February 1862, flyers, 2005, postsocialism
Figure 71, The 1980s: Today's Beginnings?, exhibition view, 16 April – 25 September 2016, white space
Figure 72, The 1980s: Today's Beginnings?, exhibition view, 16 April – 25 September 2016, white space
Yayo Herrero, Antigones against the monsters of heartbreak. Imagine everyday utopias in times of pandemics, 22 June 2020
Figure 73: , Jeder Mensch ist ein Kurator (Every Man is a Curator), 2007, biotope
Figure 74: Zdenka Badovinac, Old Masters, exhibition view at P74 Gallery, 2009, biotope
Figure 75: Marko Peljhan, Ladomir-Faktura, 1994, biotope
Figure 76: , Antifascist protest Refugees Welcome in protection of asylum-seekers at Kotnikova in Ljubljana., 27 February 2016, biotope
Theo Prodromidis, school, 24 June 2020, school
Joanna Zielińska, care, 23 June 2020, care
Maddalena Fragnito, care is conflictual, 23 June 2020, care is conflictual
Yolande Zola Zoli van der Heide, re-un-learning, 24 June 2020, re-un-learning
Gal Kirn, liberation, 24 June 2020, liberation
Commons / Solidarity, Discussion #1, 23 June 2020
Commons / Solidarity, Discussion #2, 23 June 2020
Commons / Solidarity, Discussion #3, 24 June 2020
Commons / Solidarity, Discussion #4, 24 June 2020
Jennifer Hayashida, translation, 24 June 2020, translation
Miha Blažič - N'toko, decommodification, 24 June 2020, decommodification
Kike España, hapticality, 23 June 2020, hapticality
Bojana Piškur, I, a __________, 24 June 2020, I, a __________
Onur Yıldız, la perruque, 23 June 2020, la perruque
Rasha Salti, the lucid interval, 24 June 2020, the lucid interval
Pablo Martínez, raised fist, 23 June 2020
Natalia Sielewicz, repair, 23 June 2020, repair
Javiera Manzi A., revolt, 24 June 2020, revolt
Jesús Carrillo, situated museum, 23 June 2020, situated museum
Zdenka Badovinac, interdependence, 23 June 2020, interdependence
Figure 77: Tania Bruguera, The Museum of Arte Útil, exhibition view
Figure 87: Vaast Colson, Library, 2016, eternal network / la fête permanente
Figure 88: Robert Filliou, The Secret of Permanent Creation, eternal network / la fête permanente
Figure 81: Ahmet Öğüt, Happy Together; Collaborators Collaborating, 2015, intervenor
Figure 89, Photo documents from the first Conference of Heads of State or Government of Non-Aligned Countries, September 1961, Belgrade, to baffle
Figure 90, Fifth Non-aligned Summit Conference, Colombo, Sri Lanka, 1976, to baffle
Figure 91, Demonstration of the people of Belgrade against the government of the Kingdom of Yugoslavia and its pact with Nazi Germany, 27 March 1941, to baffle
Figure 97: Burak Arıkan, Network of Mosques, Istanbul Design Biennale, 2012, data asymmetry
Figure 98: Burak Arıkan, Graph Commons workshop at Transmediale, 4 – 5 February 2016, Berlin, data asymmetry
Figure 100: Mikuláš Medek, Red Venuse, 1959, intuition
Figure 101: Zdeněk Sýkora, Black and White Structure, 1966–1967, intuition
Figure 102: Ján Mančuška, ...and Back Again (What rests from Art if History cannot Participate on it), 2004, intuition
Figure 103: Jiří Kovanda, Untitled (On an escalator ... turning around, I look into the eyes of the person standing behind me ...) (3 September 1977), 1977, intuition
Figure 104: Július Koller, (Subjectobject), 1968, intuition
Figure 105: Otobong Nkanga, Infinite Yield, 2015, noosphere
Figure 118: Johannes Kreidler, Product Placement, 2008
Figure 119: Ive Tabar, Acceptio, 20 December 2004
Figure 120: Michael Saup, Pyramis Niger – the avatar of the Internet, 2009
Figure 114: Ivan Šučur, “Kugla kao simbol [Sphere as a Symbol]”
Figure 115: J. Škunca, “Vizija svemirskog reda” (“The Vision of Cosmic Order”), 26 Octobe 1968
Figure 116, From the exhibition catalogue Peace 75 – 30 OZN
Figure 109: Andraž Rožman, “Hasan Hasan iz Kurdistana: Sanjam o nastopu na olimpijskih igrah” (“Hasan Hasan from Kurdistan: I dream of taking part in the Olympic Games”)
Figure 110, Autonomous Factory Rog, bird’s-eye view
Figure 111, Protest agains the eviction of Rog users, April 2016
Figure 112, Plenary meeting of Rog users, 2016
Figure 121: Alice Creischer, The Greatest Happiness Principle Party, 2001
Figure 125: Michael Karabinos, Here or There? Locating the Karel 1 Archive, 2017
Figure 126: Fefa Vila Nunez, Archivo Queer?, 2016
Figure 127: Fefa Vila Nunez, Archivo Queer?, 2016
Figure 128: Brook Anbdrew, Ahy-kon-uh-klas-tik, 2017
Figure 129: Jusuf Hadžifejzović, Čarlama (Fear of Drinking Water), 1994–2017
Figure 130: Marko Pogačnik (OHO Group), Family of water, fire, air and earth: water – fire static, 1969
Figure 124: , Marica Multitude. Activating sexual-dissident archives in Latin America, 2017
Figure 123: Roberto Jacoby, Darkroom, 2005
Figure 122: Miguel Ángel Rojas, Faenza series – Antropofagia, 1979
Figure 131: Vladimir Dodig Trokut, Anti-museum
Figure 132: Tadej Pogačar & the P.A.R.A.S.I.T.E. Museum of Contemporary Art, Hills and Valleys and Mineral Resources
Figure 133: Mađan Bajić, The Yugomuseum
Figure 144: , The Present and Presence: Repetition 3 – The Street
Figure 145: David Maljković, Again and Again
Figure 146: Zdenka Badovinac, “The Sustainable Museum”, schematics, a part of Low-Budget Utopias
Figure 147: Walter Benjamin, “Museum of American Art”, a part of Low-Budget Utopias
Figure 134: Azra Akšamija and Maximilian Hartmuth, CULTURESHUTDOWN, artistic platform, 2013
Figure 135: Azra Akšamija, Museum Solidarity Lobby, 2013
Figure 135: Azra Akšamija and Maximilian Hartmuth, CULTURESHUTDOWN, artistic platform, 2013
Figure 137: Azra Akšamija, Future Heritage Collection, postcards, 2013
Figure 138: Azra Akšamija, Future Heritage Collection, postcards, 2013
Figure 143: , “Deinstitutionalisation of Madness”, The Politicisation of Friendship, exhibition view
Figure 141: Philippe Parreno, Marilyn, 2012
Figure 139: , , 2016
Figure 140: , , 2009
Figure 142: Raqs Media Collective, Please Do Not Touch the Work of Art (in the back) & Matthias Gommel, Delayed (in the front), The Art of Participation 1950 to Now, Museum of Modern Art, exhibition view, 2008
Figure 80: Hito Steyerl, How Not to be Seen: A Fucking Didactic Educational, 2013
Figure 78: Chto Delat? (What is to be Done?), The Excluded. In a Moment of Danger, still from a video, 2014
Figure 79: Dziga Vertov, Man with a Movie Camera, 1929
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